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Who wanted them dead?

Can we stress the brilliant and imperfect part, though? The protagonist is completely insufferable, but the supporting cast is everything. Attn: Danielle Brooks Taystee —be my best friend? Please and thank you. Can we combine these two women and make them the Optimus Prime of hilarious, amazing feminists? Someone master that robot technology, please. But anyway, Bossypants is a fun and self-deprecating look at how and why Fey came to be the star of all of our lady dreams.

Or watch Scandal , because not only is Kerry Washington killing it in heels as Olivia Pope, but writer and producer Shonda Rhimes is schooling everyone on how to make a TV show worth watching—so take a seat and learn something, producery guys in suits. Also covers: being a bad bridesmaid and making a nightmare cookie to resemble a nightmare boss.

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And just being near her makes you feel special, too? This book reminds you of how you were when you were in the process of becoming the person you are now. What books or movies remind you of Nora Ephron? As the legal parent, Dorothy had no need to adopt him. Fleming had agreed to adopt her son when they married, but it was never officially done. Sayers continued to provide for his upbringing, although she never publicly acknowledged him as her biological son. Sayers was a good friend of C.

Lewis and several of the other Inklings. On some occasions, Sayers joined Lewis at meetings of the Socratic Club. Lewis said he read The Man Born to be King every Easter, but he claimed to be unable to appreciate detective stories. Tolkien , however, read some of the Wimsey novels but scorned the later ones, such as Gaudy Night.

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  4. Dorothy died suddenly of a stroke on December 17, at the same place. She had purchased numbers Newland Street Witham subsequently known as Sunnyside in as a home for her mother following the death of her father, but on the death of her mother on July 27, at The County Hospital, Colchester, she occupied it herself.

    Mac was buried in Ipswich, whilst Dorothy was cremated and her ashes buried beneath the tower of St Anne's Church, Soho, where she had been a churchwarden for many years. Tony died November 26, at age 60, in St. Dorothy Sayers' first book of poetry was published in as Op. I by Blackwell Publishing in Oxford. Later Sayers worked for Blackwell's and then as a teacher in several locations including Normandy, France , just before World War I began. Sayers' longest employment was from as a copywriter at S.

    Benson's advertising agency in London. Sayers was quite successful as an advertiser. Her collaboration with artist John Gilroy resulted in "The Mustard Club" for Colman's Mustard and the Guinness "Zoo" advertisements, variations of which still appear today. One famous example was the Toucan , his bill arching under a glass of Guinness, with Sayers' jingle:. Sayers is also credited with coining the phrase "It pays to advertise.

    Sayers began working out the plot of her first novel sometime in — The seeds of the plot for Whose Body? Now why did she wear pince-nez in her bath? If you can guess, you will be in a position to lay hands upon the murderer, but he's a very cool and cunning fellow…. Lord Peter Wimsey burst upon the world of detective fiction with an explosive "Oh, damn!

    However, it is evident through Lord Peter's development as a round character that he existed in Sayers' mind as a living, breathing, fully human entity. Sayers introduced detective novelist Harriet Vane in Strong Poison. Sayers remarked more than once that she had developed the "husky voiced, dark-eyed" Harriet to put an end to Lord Peter via matrimony.

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    But in the course of writing Gaudy Night, Sayers imbued Lord Peter and Harriet with so much life that she was never able to, as she put it, "see Lord Peter exit the stage. Sayers did not content herself with writing pure detective stories; she explored the toll on World War I veterans in The Unpleasantness at the Bellona Club, discussed the ethics of advertising in Murder Must Advertise, and advocated women's education a then-controversial subject in Gaudy Night.

    Sayers' Christian and academic interests also shine through in her detective stories. In The Nine Tailors, one of her most well-known detective novels, the plot takes place largely in and around an old church dating back to the Middle Ages , and the writer's familiarity with and affection for such a milieu is very evident. Change ringing of bells also forms an important part of the novel.

    In Have His Carcase, the Playfair cipher and the principles of cryptanalysis are explained.

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    Her short story Absolutely Elsewhere refers to the fact that in the language of modern physics the only perfect alibi for a crime is to be outside its light cone, while The Fascinating Problem of Uncle Meleager's Will contains a literary crossword puzzle. Sayers also wrote a number of short stories about Montague Egg, a wine salesman who solves mysteries. Sayers considered her translation of Dante 's Divina Commedia to be her best work.

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    The badly-titled Hell appeared in , as one of the recently introduced series of Penguin Classics. Purgatory followed in Unfinished at her death, the third volume Paradise was completed by Barbara Reynolds in On a line-by-line basis, Sayers' translation can seem idiosyncratic. For example, the famous line usually rendered "Abandon hope, all ye who enter here" turns, in the Sayers translation, into "Lay down all hope, you who go in by me. It can be argued that Sayers' translation is actually more accurate, in that the original intimates to "abandon all hope.

    The idiosyncratic character of Sayer's translation results from her decision to preserve the original Italian terza rima rhyme scheme, so that her "go in by me" rhymes with "made to be" two lines earlier, and "unsearchably" two lines before that. Umberto Eco in his book Mouse or Rat? Sayers' translation of the Divina Commedia is also notable for extensive notes at the end of each canto, explaining the theological meaning of what she calls "a great Christian allegory.

    In the introduction to her translation of The Song of Roland , Sayers expressed an outspoken feeling of attraction and love for. She praised "Roland" as a purely Christian myth , in contrast to such epics as Beowulf in which she found a strong Pagan content. Sayers' most notable religious book is probably The Mind of the Maker which explores at length the analogy between a human Creator especially a writer of novels and plays and the doctrine of The Trinity in creation.

    In addition to the ingenious thinking in working out this analogy, the book contains striking examples drawn from her own experiences as a writer and elegant criticisms of writers when the balance between Idea, Energy and Power is not, in her view, adequate. Peter is not the Ideal Man.

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    Her very influential essay, first presented at Oxford in , [12] has been used by many schools in the United States as a basis for the classical education movement, reviving the medieval trivium subjects grammar, logic and rhetoric as tools to enable the analysis and mastery of every other subject. Sayers also wrote three volumes of commentaries about Dante , religious essays, and several plays, of which The Man Born to be King may be the best known. Her religious works did so well at presenting the orthodox Anglican position that in the Archbishop of Canterbury offered her a Lambeth doctorate in divinity, which she declined.

    In , however, she accepted an honorary doctorate of letters from the University of Durham. The literary and academic themes in Sayers' novels have appealed to a great many readers, but by no means to all. Poet W. Auden and philosopher Ludwig Wittgenstein were critics of her novels, for example.

    The first part is all about bell-ringing as it is practised in English churches and contains a lot of information of the kind that you might expect to find in an encyclopedia article on campanology. I skipped a good deal of this, and found myself skipping, also, a large section of the conversations between conventional English village characters…. The academic critic Q.